2017      Where is the Body? The body and Materiality, UCA Research cluster launch event, (UK)

2017      Whitenoise bookwork, published by Marmalade visual theory, book launch and panel discussion, (UK)

2016      Yale University Radio interview, (USA)

2016      Immateriality: Possibilities and Experiences, UCA – Canterbury, (UK)

2015      School of Film and Media Research Forum, UCA Farnham, (UK)

2012      Accademia di Belle Arti, Turin, (IT)

2010      Stone Squid, Experimental Art Space, Hastings, (UK)

2008     Research symposium at UCS, University Campus Suffolk, Ipswich, Suffolk, Ipswich, AA2A programme, (UK)

2007      The Florence Trust, London, (UK)

2006    Wimbledon College of Art, London, (UK)


2017    Gesture, Trace and Performance Conference, University for the Creative Arts (UCA)  Canterbury (UK)

2017      Radical reThink, Institute of Contemporary Art ICA and UAL (UK)

2016     Performance and philosophy, Symposium presso il Centro di ricerca dell’ University of Surrey, Guilford, (UK)

2016      Delfina Foundation Performance as Process Stage 2, (UK)

2016      Training the Senses, Tim Ingold’ talk, The Knowing Body ‘The properties of materials are not attributes but histories’, Marres and Van Eyck online access, (NL)

2016     Whitechapel Gallery, Unlimited Action: Limits of Performance, London, (UK)

2016     Performing Feminism, Camberwell College of Art, UAL, Griselda Pollock, Director of Research, Professor of the Social & Critical Histories of Art, University of Leeds, Adrian Rifkin Professor of Art Writing at Goldsmiths and Nina Wakeford artist and reader in Sociology at Goldsmiths, University of London, (UK)

2015     Symposium and exhibition Drawing/Drawn Conversations at Coventry University, Visual Arts Research Hub, School of Art and Design; paper on WhiteNoise, Coventry, (UK)

2014       On Mediated Experience: Transforming Performance, Tate Live, Tate Modern.

2014       Whispers, Ulay on Ulay in conversation with Tate curator Catherine Wood, ICA Culture Now.

2014       Symposium and exhibition DRAW2014, Why Draw now? International Symposium o at Carnegie Mellon University, Pittsburgh, Pennsylvania, (USA)

2011      Festival of Blackboards: London Fine Art Course Leader Panel Discussion. Q-Art London.

2011       Reflections on the Art School, Tate Britain, London, (UK)

2011       Capturing Process? Practice Research within the Creative Arts, Kingston University, London.

2009       Artists Making Places Conference, Art on Greenwich peninsula, London, (UK)

2009       Intimacy Symposium, across digital and visceral performance, Goldsmith College of Art, University of London, (UK)

2008       Endurance, Pioneers Series, VIVID, Birmingham, (UK)

2007       Research Symposium at University Campus Suffolk, Ipswich, AA2A programme, (UK)

2005      Neuro-Aesthetics Conference, Goldsmith College of Art, University of London, (UK)