Talks
2024 Nanyang Academy of Fine Arts (NAFA), Singapore
2022 Virginia Tech, Blacksburg, Virginia, USA
2020 Accademia di Belle Arti di Venezia, Italy
2020 Willem de Kooning Academy of Fine Arts, Rotterdam, Netherlands
2019 Falmouth School of Art, Falmouth University, Cornwall, UK
2017 Where is the Body? The body and Materiality, UCA Research cluster launch event, (UK)
2017 Whitenoise bookwork, published by Marmalade visual theory, book launch and panel discussion, (UK)
2016 Museum of Invisible Art, Yale University Radio interview, (USA) online interview (USA) – https://museumofnonvisibleart.com/interviews/rossella-emanuele/
2016 Immateriality: Possibilities and Experiences, UCA – Canterbury, (UK)
2015 School of Film and Media Research Forum, UCA Farnham, (UK)
2012 Accademia di Belle Arti, Turin, (IT)
2010 Stone Squid, Experimental Art Space, Hastings, (UK)
2008 Research symposium at UCS, University Campus Suffolk, Ipswich, Suffolk, Ipswich, AA2A programme, (UK)
2007 The Florence Trust, London, (UK)
2006 Wimbledon College of Art, London, (UK)
RECENT CONFERENCES
2024 Drawing Repetition Symposium, presentation for Bodies in Motion, Drawing Research Group at Loughborough University
2022 I4 Residency, Virginia Tech University, Blacksburg, USA
2022 Test Space research forum Falmouth and Plymouth University at CAST in Helston, Cornwall
2020 Chair and organiser of the Drawing Symposium at Falmouth School of Art, speakers included writer Martin Holman, Emma Kay, Alyson Loyd, Katrina Brown
2020 Thinking Through Drawing 2B: Drawing Changes Symposium
2017 Where is the Body? The body and Materiality, University Creative Arts researchcluster, launch event
2017 Dialogues on Dance, Philosophy, and Performance in the Contemporary Neoliberal Moment, Coventry University
2017 Somatic Shifts: the body and beyond in creative and critical research, symposium and exhibition at Zandra Rhodes Gallery, University for the Creative Arts, Rochester Campus
2017 Gesture, Trace and Performance Conference, University for the Creative Arts (UCA) Canterbury (UK)
2017 Radical reThink, Institute of Contemporary Art ICA and UAL (UK)
2016 Performance and philosophy, Symposium presso il Centro di ricerca dell’ University of Surrey, Guilford, (UK)
2016 Delfina Foundation Performance as Process Stage 2, (UK)
2016 Training the Senses, Tim Ingold’ talk, The Knowing Body ‘The properties of materials are not attributes but histories’, Marres and Van Eyck online access, (NL)
2016 Whitechapel Gallery, Unlimited Action: Limits of Performance, London, (UK)
2016 Performing Feminism, Camberwell College of Art, UAL, Griselda Pollock, Director of Research, Professor of the Social & Critical Histories of Art, University of Leeds, Adrian Rifkin Professor of Art Writing at Goldsmiths and Nina Wakeford artist and reader in Sociology at Goldsmiths, University of London, (UK)
2015 Symposium and exhibition Drawing/Drawn Conversations at Coventry University, Visual Arts Research Hub, School of Art and Design; paper on WhiteNoise, Coventry, (UK)
2014 On Mediated Experience: Transforming Performance, Tate Live, Tate Modern.
2014 Whispers, Ulay on Ulay in conversation with Tate curator Catherine Wood, ICA Culture Now.
2014 Symposium and exhibition DRAW2014, Why Draw now? International Symposium o at Carnegie Mellon University, Pittsburgh, Pennsylvania, (USA)
2011 Festival of Blackboards: London Fine Art Course Leader Panel Discussion. Q-Art London.
2011 Reflections on the Art School, Tate Britain, London, (UK)
2011 Capturing Process? Practice Research within the Creative Arts, Kingston University, London.
2009 Artists Making Places Conference, Art on Greenwich peninsula, London, (UK)
2009 Intimacy Symposium, across digital and visceral performance, Goldsmith College of Art, University of London, (UK)
2008 Endurance, Pioneers Series, VIVID, Birmingham, (UK)
2007 Research Symposium at University Campus Suffolk, Ipswich, AA2A programme, (UK)
2005 Neuro-Aesthetics Conference, Goldsmith College of Art, University of London, (UK)